Hi Eric.
First of all I commend you for your undertaking. Not everybody has the patience and tolerance in dealing with today's troubled youth. I wish there were programs available when I was a youngster. It would have saved me a lot of problems.
Because of the cuts in alot of school programs these days, there are many schools that don't even have woodshop anymore, let alone scroll saws in the shop. That said, you will be working with novices.
When I teach my beginning Intarsia class, almost none of my students have any scroll saw experience. The first part of the day is spent showing the basic operations of the saw. I will start them out with cheap plywood and basic shapes just to get them used to trying to stay on the line. Most students are pretty nervous because they are being watched in the beginning. After a few basic shapes are cut, I will then have them do a couple not so simple shapes, then move on to cutting some real wood. Once they start cutting a complex shape, I like to just back off and let them feel like they are on their own for a short while. I think it takes the pressure off and they relax a little more. I tell my students they should practice doing fret work for a while before jumping into Intarsia. I cut for almost a year before doing Intarsia on a regular basis. There are so many techniques to learn and practice. Your situation will be different however because you don't want to loose their interest by staying with basic boring stuff, and it doesn't take long to get youth bored these days.
You may have to tailor your teachings around each individual and get them doing things (they) are interested in. As far as resources go, I think you're in the right place with this magazine. There are many patterns you can use. Some are more complex than others but there is always something to catch someone's interest. Also check out some of the many books on scrollsawing by the late Patrick Spielman. Dirk Boelman of the Art Factory is one of the leading scrollsawers around and might be able to give you more advice on getting started as well.
As far as Intarsia, you don't want to start out with something to complex in fear that it will just discourage your students. Have them start with something simple just to get the hang of it, then look out. Intarsia has brought the artist out of me that I never even knew existed. I hope I helped. If you have any more in depth questions, feel free to E-mail me at
Rob@againstthegrainwoodart.com
Good luck and as always,
Happy Cutting!
Rob